It's not only time for fat men in red suits to make lists and check them twice - it is, after all, that time again for year-end posts. For the record, while my ears unwrapped a lot of extremely enjoyable music in 2007, very few complete albums really stood out for me, unlike last year. As such, I'm going to list my 15 favourite songs I came across in 2007 (whether they were issued then or not), in no particular order (album name in parentheses). You know, the ones that, at one point or another, were on constant repeat. Digital waxy goodness available
here. Drum roll, please:
Beirut: A Sunday Smile (The Flying Club Cup). For me, 2007 was about all things Zach Condon, meaning Beirut and his previous bands, The Real People and 1971. From Gulag Orkestar to the Lon Gisland and Elephant Gun EPs, to The Flying Club Cup, who knew European gypsy music could be so infectious?
Beirut: Elephant Gun (Elephant Gun EP). Yes, more Beirut, this time from the aforementioned
Elephant Gun EP. Bring on the brass section. Condon was rather prolific in 2007, issuing two EPs and a full-length album on the footsteps of Gulag Orkestar's acclaim. 'Strike while the iron's hot,' they say.
Basia Bulat: Snakes & Ladders (Oh, My Darling). Canadian content alert! Not only that, Bulat is a Master's student at The University of Western Ontario, working out of London and Toronto. It's a shame the album was released in the UK prior to Canada earlier this year, but it's one of the year's best.
Feist: My Moon My Man (The Reminder). Seemingly trying to re-introduce sequined jumpsuits to the collective consciousness, sometime Broken Social Scener Leslie Feist hit the mainstream with her catchy (and well-choreographed) videos. This one was used in an infectious commercial for the iPod Touch.
Fionn Regan: Put a Penny in the Slot (The End of History). Sure, this ultra-witty song has a really catchy chorus and a reference to Saul Bellow, but really, Regan had me at the lyric that mentioned a Rhodesian Ridgeback. Seriously, how many musicians would be ingenious enough to come up with that one?
Nicole Atkins: The Way it Is (Neptune City). One aural taste of Atkins' debut EP
Bleeding Diamonds made the New Jersyan's first full-length a hotly anticipated release this year. Not to be confused with the diet, Atkins' voice is full and rich, haunting and enchanting.
Blair: Mona Lisa (Pluto). New Orleans-based Blair gave her EP the name Pluto as a metaphor for the impact hurricane Katrina had on the city, comparing it to the scientific community's decision to delist Pluto as a planet, saying: "Something is one way all your life, then all of a sudden, it totally changes."
Interpol: There's No I in Threesome (Our Love to Admire). Sure, the title reaches out and grabs you, but so does the hook. Popular opinion is that Interpol has been unable to recapture past glories of
Turn Off the Bright Lights and
Antics, but I'd say this album has more high points than not. Or, at least three.
Stars: Bitches of Tokyo (In Our Bedroom After the War). Given my love for Stars, I had looked forward to the release of this album with great anticipation, but haven't found that it has lived up to my expectations thus far. Except for this track, which has made me dance around once or twice this year.
Kate Nash: Foundations (Made of Bricks). "Dear God, I hope I'm not stuck with this one," Nash sings of a dysfunctional relationship she's holding on to by her fingernails. Comparisons to Lily Allen are obvious, but Nash brings a deeper sensibility to her songs and a dry wit that often counters the bouncing tunes.
Voxtrot: Real Life Version (Self-Titled). Another band that has achieved critical acclaim on the backs of several EPs and much love in the blogosphere, this is Voxtrot's first full-length album. While I'm not sure the LP hit all the high notes the EPs did, the band continues to craft beautiful pop songs.
Miracle Fortress: This Thing About You (Five Roses). Nominated for Canada's Polaris Prize last year, Miracle Fortress is essentially the work of Montreal-based Graham Van Pelt (who
isn't coming out of Montreal these days?) Sunny and whirling, this is easily my favourite track on the album.
Lily Allen: Nan, You're a Window Shopper (Alright, Still - B-Sides). Sure, she's a bit of a brat and a self-admitted alcoholic, but the cheeky Allen can churn out some sunny pop tunes. Somewhat of a guilty pleasure, a number of Allen's songs wormed their way into my consciousness, but ended up being overplayed.
Maritime: Parade of Punk Rock T-Shirts (We, the Vehicles). Fine, this song (2006) is not from this year (
Heresy & the Hotel Choir is), but it introduced me to the band that rose from the ashes of The Promise Ring and The Dismemberment Plan. Infectious and catchy, but hardly punk rock.
Eleni Mandell: Girls (Miracle of Five). "Do you still cry about girls you wanted?" Mandell softly croons to a soft-strumming guitar. No, no tears. While I can't say I'm much of a fan of her other work, this was a delightfully pleasant track that made its way into rotation for me this summer.
Upon hitting "Publish Post", I know some other song will likely vie for Top 15 honours in my head, but that's just the way it is. There were too many good songs to list, so I stuck with the ones that made me keep hitting repeat in 2007. Your faves? Hit the Comments section.